The Other Boleyn Girl

This drama about Anne Boleyn (Natalie Portman) and her sister Mary (Scarlett Johansson) being groomed essentially as prostitutes to service Henry VIII (Eric Bana) might have qualified as some sort of bodice ripper/history lesson. But despite a certain amount of moral outrage and good performances from the lead actresses, it’s neither sexy enough to qualify as good trash nor serious enough to pass for history. (For starters, according to many sources, the real Mary was older than Anne, not younger, and far more promiscuous than she is here.) At least the script, adapted by Peter Morgan (The Queen) from a Philippa Gregory novel, explains how the Church of England came into being. The competent but stiff direction is by Justin Chadwick; with David Morrissey and Kristin Scott Thomas. PG-13, 115 min. (JR)

Published on 28 Feb 2008 in Featured Texts, by admin

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Vantage Point

At a historic summit in Spain against global terrorism, the U.S. president (William Hurt) is shot, a bomb explodes, and two federal agents (Dennis Quaid and Matthew Fox) rush to find the culprits. This gripping if ridiculous thriller repeatedly backtracks to present the same events from different viewpoints, though ironically it has no viewpoint of its own, just a desire to pile up plot twists and extend a thrilling car chase ad infinitum. Milking an international crisis for thrills may seem tasteless, but of course the news media do it all the time, which is highlighted by the movie’s shameless lack of interest in such drab matters as political motivation. If you’re up for good nihilist entertainment, look no further. With Forest Whitaker, Sigourney Weaver, Zoe Saldana, and Edgar Ramirez. PG-13, 90 min. (JR)

Published on 21 Feb 2008 in Featured Texts, by admin

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Prisoners Of War

Starting with From the Pole to the Equator (1987), the Milan-based couple Yervant Gianikian and Angela Ricci Lucchi have excelled at compiling silent archival footage, encouraging the material to speak, both historically and poetically, through masterful use of music, tinting, and variable speeds. (Their mystical reverence for the footage is reflected in how they commune with it by keeping film cans around the house before opening them.) Drawn from many war museums, this 1995 work is the first part of a World War I trilogy, and it’s a spellbinder, alternately beautiful and horrifying. It concentrates on POWs in prerevolutionary Russia and the Austro-Hungarian Empire, but there’s also some extraordinary combat footage. The few Italian intertitles, most of them identifying dates and locations, are unsubtitled. 90 min. (JR)

Published on 21 Feb 2008 in Featured Texts, by admin

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Definitely, Maybe

A divorced New York adman (Ryan Reynolds) gives his insufferably precocious ten-year-old (Abigail Breslin of Little Miss Sunshine) a lengthy account of his early love life, conveyed in flashbacks that begin shortly before his leaving Madison, Wisconsin, to work on Bill Clinton’s first presidential campaign as a political consultant. This highly uneven comedy by writer-director Adam Brooks (Bridget Jones: The Edge of Reason) might be easier to take if it were less infatuated with its own cuteness. With Isla Fisher, Derek Luke, Elizabeth Banks, Rachel Weisz, and Kevin Kline. PG-13, 111 min. (JR)

Published on 14 Feb 2008 in Featured Texts, by admin

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