A Tale of the Wind

This poetic masterpiece (1988) is the crowning work of Joris Ivens, the great Dutch documentarian and leftist, who made it in collaboration with his companion, Marceline Loridan, shortly before his death at age 90. (In fact there’s reason to believe the film was mainly written by Loridan, though this makes it no less Ivens’s own testament.) Neither a documentary nor a fantasy but a sublime fusion of the two, it deals in multiple ways with the wind, with Ivens’s asthma, with China, with the 20th century (and, more implicitly, the 19th and the 21st), with magic, and with the cinema. Ivens was born only two years after Georges Melies screened his first work, and this imaginative, freewheeling, and often comic film reflects on that fact, and on the near century of intertwining film, political, and personal history that made up Ivens’s life. For all its cosmic dimensions, it’s funny and lighthearted rather than pretentious and ponderous; it may even renew your faith in life on this planet. In French with subtitles. 78 min. Gene Siskel Film Center, 164 N. State, Friday, May 24, 8:00, 312-846-2800.

Published on 24 May 2002 in Featured Texts, by jrosenbaum

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Bartleby

Aside from a tacky epilogue, this is a surprisingly faithful (albeit updated) adaptation of Herman Melville’s eerie yet funny 1853 story about a Wall Street drudge who unexpectedly refuses to work or do anything else, meeting every request with the response, I would prefer not to. Crispin Glover seems born to play such a part, though Jonathan Parker, in his first feature, transfers the character to a drab office building on a hill overlooking a freeway, and, in keeping with the spirit of the original, makes the story just as much about the narrator, the hero’s boss (effectively played by David Paymer). The secondary castGlenne Headly, Joe Piscopo, Maury Chaykin, and Seymour Casselis equally good, and the degree to which Melville’s story registers as a kind of satire about capitalism, alienated labor, and the resistance engendered by both, hasn’t escaped anyone. Catherine di Napoli collaborated with Parker on the script. 82 min. (JR)

Published on 21 May 2002 in Featured Texts, by admin

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The Salton Sea

It’s been more than a while since I’ve seen this, but I’m more grateful than sorry that I don’t remember it well. Drug thrillers and revenge plots bore me, and producer Frank Darabont, writer Tony Gayton, and director D.J. Caruso couldn’t convince me to make this an exception. Val Kilmer plays a jazz musician who penetrates the crystal meth underworld to avenge the death of his wife (Chandra West) and give the filmmakers lots of opportunities for neonoir artiness. But the biggest show-off here is Vincent D’Onofrio as a deranged, sadistic, noseless drug baron named Pooh-Bear. Oh God, I’m starting to remember! Some of the more familiar faces include Peter Sarsgaard, Deborah Kara Unger, Anthony LaPaglia, Doug Hutchison, Adam Goldberg, Meat Loaf, and Luis Guzman. 103 min. (JR)

Published on 14 May 2002 in Featured Texts, by admin

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