L.627

The title of Bertrand Tavernier’s well-turned 146-minute French thriller (1992) refers to the article from the French Code of Public Health that forbids “all offenses linked to the possession, traffic, and consumption of narcotics.” Cowritten by former narcotics officer Michel Alexandre, this film takes a realistic approach, following the everyday routines and bureaucratic frustrations of a Parisian narc, well played by Didier Bezace. The character never quite says “It’s a dirty job, but somebody’s got to do it,” but this is the general idea, and with an able if not very well-known cast Tavernier makes an absorbing and authentic-looking movie out of it. More to the point, he implicates the audience in the sliminess of certain police operations in a way that has challenging and potent political ramifications–which is probably why this movie has been assailed by both the left and the right in France. See it and make up your own mind. Film Center, Art Institute, Columbus Drive at Jackson, Friday, January 27, 7:45; Saturday, January 28, 6:00 and 8:30; and Sunday, January 29, 6:00; 443-3737.

Art accompanying story in printed newspaper (not available in this archive): Still.

Published on 27 Jan 1995 in Featured Texts, by jrosenbaum

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Ladybird, Ladybird

Based on a true story, Ken Loach’s powerful and disturbing British drama about a single working-class mother with four children from four different fathers is made unforgettable both by stand-up comedian Crissy Rock’s lead performance and by the filmmakers’ determination to make the story as messy and as complex as life itself. After many abusive relationships, Maggie, the heroine, settles down with a gentle Paraguayan refugee (beautifully played by Vladimir Vega), but then has to contend repeatedly with the state taking away her children. This sounds like a simple antiwelfare polemic, but Loach doesn’t allow us to walk away from the movie with any settled or monolithic message. As written by Rona Munro and played by Rock, Maggie is a volcanic conundrum, and the deeper we become involved in her fate, the less sure we become about anything. Highly recommended. Music Box, Friday through Thursday, January 20 through 26.

Published on 20 Jan 1995 in Featured Texts, by jrosenbaum

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Beautiful Losers [NOBODY’S FOOL]

Please go to

http://www.jonathanrosenbaum.net/1995/01/beautiful-losers-2/

Published on 20 Jan 1995 in Featured Texts, Featured Texts, by jrosenbaum

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Ladybird, Ladybird

Based on a true story, Ken Loach’s powerful and disturbing British drama (1994) about a single working-class mother with four children from four different fathers is made unforgettable by stand-up comedian Crissy Rock’s lead performance and by the filmmakers’ determination to make the story as messy and as complex as life itself. After many abusive relationships, Maggie, the heroine, settles down with a gentle Paraguayan refugee (beautifully played by Vladimir Vega), but then has to contend repeatedly with the state taking away her children. This sounds like a simple antiwelfare polemic, but Loach doesn’t allow us to walk away from the movie with any settled or monolithic message. As written by Rona Munro and played by Rock, Maggie is a volcanic conundrum, and the deeper we become involved in her fate, the less sure we become about anything. Highly recommended. (JR)

Published on 01 Jan 1995 in Featured Texts, by admin

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