Not Different, Just Not the Same

To the editors:

When I wrote last week that Pulp Fiction was only “the flip side” of Forrest Gump, an editor took this to mean “the opposite” rather than another version of the same thing, and changed the text accordingly. Sorry for any resulting confusion.

Jonathan Rosenbaum

Published on 21 Oct 1994 in Featured Texts, by jrosenbaum

No Comments >>

I Like It Like That

This stunning debut is a first feature by writer-director Darnell Martin, and the first movie by a woman who grew up in a ghetto to be produced by a major studio. A raucous comedy-drama about a volatile Latino couple trying to raise their three kids and stay out of trouble–with the world and each other–in a Bronx ghetto, it manages a truce between Hollywood pizzazz and authenticity while positively jumping with energy (though it runs out of a little steam before the end). The charismatic heroine, played by Lauren Velez–a mulatto, like Martin–goes after a job with a recording executive (Griffin Dunne) after her husband (Jon Seda) tries to steal a stereo during a blackout and winds up in jail; among the other characters are her brother (Jesse Borrego), who’s a transvestite botanica owner, and her downstairs neighbor and worst enemy (Lisa Vidal), who’s an unwed mother trying to wangle away her husband. (Rita Moreno also does a delightful turn as her disapproving mother-in-law.) While keeping up a frenetic pace, the movie manages to speak thoughtfully about parenting, marital sex problems, jealousy, gossip, lotteries, record promotion, inner-city crime, and homophobia. It’s not common to find so much bombast and wisdom coexisting, but from the evidence offered here, Darnell Martin is an uncommon talent–offering an eyeful as well as an earful. Pipers Alley.

Published on 14 Oct 1994 in Featured Texts, by jrosenbaum

No Comments >>

I Like It Like That

This stunning 1994 debut by writer-director Darnell Martin was the first movie by a woman from a ghetto background to be produced by a major studio. A raucous comedy-drama about a volatile Latino couple trying to raise their three kids and stay out of troublewith the world and with each otherin a Bronx ghetto, it manages a truce between Hollywood pizzazz and authenticity while positively jumping with energy (though it runs out of steam a little before the end). The charismatic heroine, played by Lauren Veleza mulatto, like Martingoes after a job with a recording executive (Griffin Dunne) after her husband (Jon Seda) tries to steal a stereo and winds up in jail; among the other characters are her brother (Jesse Borrego), who’s a transvestite botanica owner, and her downstairs neighbor and worst enemy (Lisa Vidal), who’s an unwed mother trying to wangle away her husband. (Rita Moreno also does a delightful turn as her disapproving mother-in-law.) While keeping up a frenetic pace, the movie manages to speak thoughtfully about parenting, marital sex problems, jealousy, gossip, lotteries, record promotion, inner-city crime, and homophobia. It’s not common to find so much bombast and wisdom coexisting, but from the evidence offered here Darnell Martin is an uncommon talentoffering an eyeful as well as an earful. (JR)

Published on 07 Oct 1994 in Featured Texts, by admin

No Comments >>

Dream Of Light

For all my admiration for Victor Erice’s first two features (Spirit of the Beehive and El sur), I wasn’t entirely won over by this meticulous 139-minute documentary (1992) about artist Antonio Lopez Garcia painting a small quince tree in a Madrid courtyard, even though many of my smartest colleagues were bowled over by it (the Chicago International Film Festival awarded it a Gold Hugo). Like the painter, it’s painstakingly serious about what it’s up to. Also known as The Quince Tree Sun. In Spanish with subtitles. (JR)

Published on 01 Oct 1994 in Featured Texts, by admin

No Comments >>