I was afraid I’d find this Swedish period piece by Ake Sandgren cutesy, but I wound up liking it quite a bit. Based on an autobiographical novel by Roland Schutt, it’s set in Stockholm in the 20s. The ten-year-old hero’s mother is a Russian Jew, his father’s a revolutionary socialist, and his older brother, an aspiring boxer, keeps punching him in the nose. The anti-Semitism of Roland’s teacher and schoolmates and the illegal activities of his parents–which include distributing condoms to workers and attending incendiary political meetings–make him something of a defiant outcast. All the characters are treated with a fair amount of humor and affection (the father, played by Stellan Skarsgard, is indelible), the period details are well handled, and the episodic story line is fairly engaging. The film doesn’t dig too deep, but it might make you feel pretty good. With Jesper Salen and Basia Frydman. Music Box, Friday through Thursday, July 29 through August 4.
One of the most interesting and effective aspects of this prizewinning documentary by Arthur Dong about gay men and lesbians in the military during World War II is the fact that it’s in black and white. Among other things, this puts contemporary interviews and archival footage on an equal footing. (Mark Adler’s serviceable score strengthens this continuity by playing over portions of both kinds of footage.) Adapted by Dong and Allan Berube from Berube’s 1990 book of the same title and narrated by Salome Jens, this informative and intelligent work provides a comprehensive historical context for the debates stirred up by Clinton’s efforts to allow gay men and women to serve in the armed forces. (JR)
It isn’t a patch on Im Kwon-taek’s previous Fly High Run Far, though unlike that masterpiece, this 1993 feature made a killing at the Korean box office. How you respond to it will probably have a lot to do with how you respond to pansori, a traditional dirgelike Korean song form; the story recounts the travails of an itinerant pansori singer and the sacrifices made by his family, including two adopted children, over many years to sustain that art. With Kim Kyu-chul and Kim Myung-gon. In Korean with subtitles. 112 min. (JR)